Now Brad Pitt’s in a zombie movie? Really? Isn’t this genre starting to get played out already? How many more spins on the zombie story can we really stomach? I think it’s time to try moving into some other horror sub-genres. Not only is the zombie wave beginning to bore me, but the zombie apocalypse is just so 2002. This whole trailer for World War Z, in fact, feels an awful lot like I Am Legend revisited.
Can’t we start moving on to lesser used horror sub-genres than vampires and zombies? Vampires had a run for a good while, then zombies took over our movie screens and TV sets; what about werewolves? It seems like they’d be a logical next horror fad in the trajectory. I actually think I’m on to something here; notice how werewolves pop up randomly now in movies (e.g. Dark Shadows), and take supporting roles in others (e.g. Underworld, Twilight). It’s time for a full moon folks.
I find myself having to begin warming up to this whole remake/reboot market which Hollywood seems to be in lately, and with Fincher, an amazingly unique and original filmmaker, I have total confidence in the fact that he will put out a fine film, but deep down it’s still hard for me to handle the fact that he has to be getting sloppy seconds on this one. What I look forward to most about the first remade feature in the Swedish crime trilogy is that with Fincher’s eye, I am sure it will look gloriously dark and seem almost Ikea-perfect. However, the original Swedish films were damn near perfect, although they regrettably had the feeling of television miniseries more than cinematic experience. (For those of you living under a rock this year, I’m of course talking about Stieg Larsson’s The Millenium Series and, in particular, The Girl With The Dragon Tattoo.)
Anyway, I ran across this little promo spot which the filmmakers seem to have put together to promote the film in a most unique way – highlighting both the artistic, marketing and musical perfection which both David Fincher and his new-found scoring partner Trent Reznor constantly (and usually successfully) strive to. Check it out below.
Underground / experimental filmmaker George Kuchar (one half of the Kuchar Brothers) passed away September 6th. If you like the work of Guy Maddin, Stan Brakhage, Andy Warhol, Jonas Mekas, and Kenneth Anger, you no doubt feel the ripples of this great loss to avant-garde cinema as much as I do. For the uninitiated, but cine-curious, this doc is a great starting point…
There is an awesome obituary from the New York Times on him here.
I’ve been on about the debut EP from Trent Reznor’s new band How to Destroy Angels for most of May now, and finally you can download the whole record for free from the band’s website! A tangible, hand-holdable copy will be available to purchase on July 6. This is what the electronic copy’s cover art looks like:
This is what the physical copy’s art will look like:
In other Reznor news, he’s apparently working on new NIN music, and has also just released (rather late) a theme for the newest addition to the metallic and violent Japanese cult-horror franchise Tetsuo, this time called Tetsuo: The Bullet Man. You can download it here. Trailer below. Probably not suitable for the kiddies.